Box Set of the Month
CD 1 Hear My Prayer
CD 2 Tallis & Weelkes
CD 3 Stainer: The Crucifixion
CD 4 Twentieth Century Church Music
CD 5 English Cathedral Music 1770-1860 *
CD 6 Hymns For All Seasons
CD 7 Purcell: Music For The Chapel Royal
CD 8 Britten: A Ceremony Of Carols; Rejoice In The Lamb; Missa Brevis
CD 9 Haydn: Mass No.12 in B Flat Major – “Theresienmesse”
CD 10 Monteverdi: Masses in Four Parts; Laudate Pueri; Ut Queant Laxis
CD 11 Ascensiontide Service
CD 12 Haydn: Mass in B Flat – “Harmoniemesse”
CD 13 Victoria: Requiem Mass; O Magnum Mysterium; Ave Maria
CD 14 Haydn: Heiligmesse
CD 15 A Meditation On Christ’s Nativity
CD 16 Palestrina: Veni Sponsa Christi
CD 17 Italian & English Church Music
[*incl the 1st intl Decca CD release of works by Casciolini, Gabrieli, Gesualdo, Banchieri track , - ]
CD 18 Haydn: Creation Mass
CD 19 Victoria: O Quam Gloriosum Est Regnum
CD 20 Haydn: Missa in tempore belli – “Paukenmesse”; M. Haydn: Ave Regina
CD 21 O Sacrum Convivium: Modern French Church Music
[*including the first international Decca CD release of Langlais Messe solennelle]
CD 22 Palestrina: Missa Assumpta Est Maria; Missa Brevis
[*including the first international Decca CD release of Palestrina’s Missa brevis à 4]
CD 23 Purcell: Te Deum & Jubilate; Complete Funeral Sentences
CD 24 Liszt: Missa Choralis; Bruckner: Five Motets
CD 25 Beethoven: Mass in C, Op.86
CD 26 Christmas At St. John’s
CD 27 Duruflé: Requiem
CD 28 Schubert: Mass in E Flat, D.950
CD 29 Purcell: Verse Anthems
CD 30 Fauré: Messe de Requiem; Cantique de Jean Racine
CD 31 The King Shall Rejoice & Other Chapel Royal Anthems *
CD 32 Poulenc: Mass in G; Exultate Deo; Salve Regina: Peeters: Missa Festiva
[*including the first international Decca CD release of Flor Peeters’ Missa Festiva]
CD 33 Schubert: Mass in A Flat, D.678
CD 34 Bononcini: Stabat Mater; Lotti: Crucifixus; Caldara: Crucifixus
CD 35 Haydn: Mariazeller Mass; Little Organ Mass
CD 36 Psalms Of Consolation And Hope
CD 37 A.Scarlatti: St. Cecilia Mass
CD 38 Pergolesi: Stabat Mater
CD 39 Mozart: Mass in C, K.258; Vesperae Solennes, K.339
CD 40 Mozart: Vesperae, K.321; Litaniae, K.243
CD 41 Vivaldi: Gloria, RV588; Gloria, RV589
CD 42 Tallis: Mass “Salve Intemerata Virgo”; Sheppard: Mass “The Western Wind”
ST JOHN’S COLLEGE CAMBRIDGE – The Complete Argo Recordings
George Guest and the Chior of St John’s College,
In almost a quarter-century of recordings up to 1981, Decca’s Argo imprint established St John’s College Cambridge under conductor George Guest as one of the leading choirs in the world, standing shoulder-to-shoulder with their collegiate rivals King’s College Cambridge, but with a distinctly vibrant, less ethereal sound and with a broader European repertoire. The result: 42CDs, here proudly presented in their original jackets with extensive new editorial and photographs.
George Guest’s tenure spanned forty years (1951-1991) and it cemented the clear enunciation and emotionally direct approach that became known as the “St John’s Sound.” He was able to bring music of the French choral tradition to English choirs, as well as revive the neglected 16th century masses and the late Haydn masses, giving St John’s a unique repertoire that set it apart from other collegiate choirs.
The complete recorded legacy on Decca of one of the most influential music directors of English Cathedral music.
42 CDs, mastered from the original tapes, and presented with original jackets.
Includes the first international Decca CD release of Langlais’ Messe Solennelle, Palestrina’s Missa brevis à 4, Flor Peeters’ Missa Festiva, Purcell’s Thy word is a Lantern, Z61, works by Casciolini, Gabrieli, Gesualdo, Banchieri, and two further CDs: 5 & 31.
Some of the discs, such as that of the Duruflé Requiem and the Langlais Messe solennelle, received praise from the composers themselves. Duruflé said “[I] greatly appreciate the qualities of execution, of interpretation and of the sound itself…” whilst Langlais commented: “I admire everything – the style, the tempi, the voices, the organist, and the conductor. Let me tell you of my deepest gratitude and admiration.”
Extensive booklet notes with photographs from the College’s archives and from George Guest’s personal family archives.
Andrew Nethsingha, who was an Organ Student at St John’s under Guest from 1987-90, is tremendously pleased with the project: “George’s ability to engender exquisite phrasing, musicianship and feeling amongst his boy choristers was extraodinary. He showed us the importance of choral singers communicating emotionally and expressing the inner meaning of the words. The spontaneity which could take hold in a performance was profoundly moving.
“It is a tribute to George that all three of his successors at St John’s – Christopher Robinson, David Hill and myself – have made it a top priority to seek to continue many aspects of his sound and style. George’s breath of repertoire was pioneering in its day and I am thrilled that this seminal collection of recordings is now available as a boxed set.”